Retrospective
“A hauntingly witty meditation on art, ego, and the unfinished business we carry beyond the grave.”
Love Omar
Seductive, melancholic and drenched in old-Hollywood allure, Love Omar blurs the line between fantasy and reality in a mesmerising meditation on celebrity mythology. Review by Claire-Monique Martin At Teatro Technis, Love Omar presents itself less as a historical retelling and more as a romanticised imagining — a meditation on celebrity mythology, longing, identity, and fantasy. […]
NIUSIA
“Beth Patterson’s Niusia is a compelling story of love and of legacy, but most of all it is a testament to the truth of who we are. Outstanding.”
Dead Air
“the ideas at its core are timely, unsettling, and theatrically rich”
Derriere on a G String
“choreography and dance of the highest calibre. Don’t let this dazzling gem slip past you unnoticed”
A Good Man Is Hard to Find
“This is an extraordinarily fine piece of work., You may not like it, but you will admire it for its conceit, production and performance and, I guarantee, will not forget it.”
The Wasp
“It is uncomfortable, tense, and deeply human theatre. And like the insect it is named after, the sting comes long after the encounter itself.”
Les Ballets Trockadero de Monte Carlo
‘It looked good, and it was good, In today’s sad state of the world, we need The Trocks!. I could not recommend them more highly as a guaranteed pick-me-up!’
Chat Noir
“production values were top-notch but at its core the cabaret was vapid and overlong. I wanted to love it, but, in sadness, I could not”
He Said/She Said
“Two voices. Two murders. One stage that binds them”