Karen Mason: Broadway Baby
Karen Mason gave us a glorious evening of song and performance and proved she was one of the foremost exponents of cabaret. A thrilling show, to be held long in the memory.
Return of the Godz
you’ll leave wondering whether you’ve just watched elite circus, Greek mythology, or the world’s most athletic stag do
Lorna Dallas: The Cabaret Files
Her elegance, her charm, her professionalism and the care with which she treats the numbers in her set, reminds some of us old enough to remember, what cabaret is really about.
Derriere on a G String
“choreography and dance of the highest calibre. Don’t let this dazzling gem slip past you unnoticed”
Chat Noir
“production values were top-notch but at its core the cabaret was vapid and overlong. I wanted to love it, but, in sadness, I could not”
LIZ ROBERTSON and ROBERT MEADMORE — “A TOUCH OF SPRING!”
“I’ll bet you a dime to a dollar you will not see a cabaret based in musical theatre work better, curated, performed, or more elegantly presented.”
An Evening Without Kate Bush
“A wonderfully wuthering, joyfully bonkers celebration of Kate Bush.”
Henry Patterson: House Seats with Ian McIntosh
“this show of chat and songs succeeded on every level and provides a relaxing, disarming, illuminating and entertaining evening”
Kara Lane: 50 Shades of Red
“a tremendous cabaret, a prime example of its kind, and Kara Lane is an exceptional performer”
Little Miss Christmas
an outstanding example of performance art by an exceptionally talented performer all delivered in the Christmas spirit