Self Censored
“an enjoyable and heartfelt piece of fringe theatre”
Dystopia 26: The Rock Opera
“There’s plenty of talent on stage, some memorable music, and enough visual flair to make it an entertaining night out, even if the storytelling never fully matches the ambition of the concept.”
The Jonathan Larsen Project
“feels more like an enjoyable concert of Larson’s work than a piece of musical theatre that fully comes to life”
An Audience with Michael Dore
“Michael Dore – a ‘singer’s singer’- is a treat to listen to, his presentation flawless, he has charm, warmth, audience rapport, and his set selection is a joy”
Shanay Holmes
“Under Chris Poon’s baton, Shanay Holmes delivered a five-star performance backed by outstanding arrangements in contemporary takes on beloved musical theatre songs, she looked good, and sounded good, in a superb concert debut.”
Rika’s Rooms
“a difficult watch, but the virtuosic performance of Wilkinson Wright in Louw’s absorbing and engrossing drama, make it is a ‘must see’”
Redcliffe
“an unforgettable evening of theatre that entertains, devastates and quietly asks us to consider what happens when prejudice is allowed to flourish”
Miraculous
“a gripping exploration of faith, doubt and human connection”
Karen Mason: Broadway Baby
Karen Mason gave us a glorious evening of song and performance and proved she was one of the foremost exponents of cabaret. A thrilling show, to be held long in the memory.
Lorna Dallas: The Cabaret Files
Her elegance, her charm, her professionalism and the care with which she treats the numbers in her set, reminds some of us old enough to remember, what cabaret is really about.