Tell Me Straight/Aggy
Written by Paul Bradshaw, the two plays offer a witty and candid look at queer life in contemporary London. tell me straight follows a man attempting a 30-day detox from alcohol, fast food and sex after a string of hook-ups with straight men, while aggy explores race, gender and privilege as a couple experiment with […]
The Other Room
“ A tender, funny and heartbreaking reminder that even in the shadow of death, life — and the possibility of new beginnings — must go on.
Alleyne Dance – Far From Home
“…an evening of choreographic strength which confirmed my belief that dance can challenge and reframe one’s view of the world in movement and music. Outstanding!”
STORIES – The Tap Dance Sensation
“theatrical storytelling at its most exhilarating, delivered entirely through dance and physical performance. The energy is extraordinary, the staging is astonishing, and there isn’t a weak link in the entire production.”
Dog Mom
“While some aspects of the technical staging and lead performance could be more polished, Dog Mom remains an enjoyable and emotionally engaging production, particularly for anyone who has ever loved a dog.”
BALLET BLACK – 25TH ANNIVERSARY PROGRAMME
“This was an evening of great power, immense beauty and thought provoking, and a fine example of the very best in British dance. Long may it continue”
God Save Us!
“Divine mischief, Machiavellian monks and a heavenly dose of British absurdity — a promising comedy with plenty of potential.”
Amanda – The Night Before Me
“This show is extraordinary. I laughed, I cried, I went on a journey, and afterwards I messaged all my friends telling them they should come and see it. It is a truly wonderful piece of theatre.”
DON BLACK’S FROM THE HEART
“This show is a sensational and revelatory homage to a great lyricist, whose words over more than 60 years have provided the soundtrack of the lives of many of us who have followed his career from early days. The audience left walking on air”
Acosta Danza Cuban Baroque
“The evening was thrilling, hypnotic, and sensational proving yet again, you cannot have too much of Carlos Acosta’s productive brilliance”